From the very beginning, film comedy focused on the world of work.

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In a distant future, science is able to cure any former lethal diseases. Population is therefore growing at a tremendous rate. In order to avoid overpopulation, the ministry of population control hires an army of "furets" (French word for 'ferret") who are to kill people from every class and kind, randomly selected by a computer. Arthur is a "furet" and he loves his job until the day he finds his girlfriend's name on his list. Trying to save her, he will discover the hidden mechanisms and purpose of his profession to which the balance of population is submitted.

At the end of the 1950s, four humor specialists simultaneously experienced recognition. Fernandel with “The Cow and the Prisoner”, Bourvil with “The Hunchback”, Jacques Tati with “My Uncle” and Louis de Funès with “Oscar” at the theater. On the big screen or on stage, each of these artists has a unique style of humor. They are the kings of French comedy. But how did they manage to become true box office champions? How did they experience their immense popularity? How do they still influence the comedy genre? And above all, are- are they funny in life? Where is the line between their character in the cinema and their real personality?

Eight-year-old Émile is enjoying the last of the warm summer evenings with his sister Françoise. While they are eagerly scanning the night sky for shooting stars, they are suddenly interrupted by a despicably cruel act.

The main events of the French Revolution and First Empire serve as a background canvas to a detailed biography of Empress Josephine, Napoleon I's first wife. Her initial tribulations, unexpected ascension culminating in her being crowned Empress, and the despondency of her final years are documented through her political and sentimental interactions with main figures of that historical period, including Robespierre, madame Tallien, Barras, Talleyrand, Fouché, etc., as well as the Bonaparte and Beauharnais families.

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Filmed 5 and 6 November 2020. Argan, suffering from hypochondria, decides to marry his daughter to a young doctor... The troupe of the Comédie-Française, led by Guillaume Gallienne and Bruno Podalydès, excels in this comedy-ballet, which is both a satirical farce and a reflection on death. The direction by Claude Stratz and the original music by Marc-Olivier Dupin breathe new life into this classic by Molière.

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